♪ Bawitadaba da bang a dang diggy ♪
♪ Diggy diggy said the boogy said up jump the boogy ♪
♪ Bawitadaba da bang a dang diggy ♪
♪ Diggy diggy said the boogy said up jump the boogy ♪
♪ My name is Kid... ♪
♪ Kid Rock ♪
♪ Bawitadaba da bang a dang diggy ♪
♪ Diggy diggy said the boogy said up jump the boogy ♪
♪ Bawitadaba da bang a dang diggy diggy ♪
♪ Diggy said the boogy said up ♪
♪ Jump the boogy, bawitadaba da bang a dang ♪
♪ Diggy diggy diggy said the boogy ♪
♪ Said up jump the boogy ♪
♪ Bawitadaba da bang a dang ♪
♪ Diggy diggy diggy said the boogy ♪
♪ Said up jump the boogy ♪
♪ And this for the questionsthat don't have any answers ♪
♪ The midnight glancers ♪
♪ And the topless dancers ♪
♪ The candid freaksand cars packed with speakers ♪
♪ The G's with the 40sand the chicks with beepers ♪
♪ The Northern Lightsand the Southern Comfort ♪
♪ And it don't even matterif the veins are punctured ♪
♪ All the crackheads,the critics ♪
♪ The cynics and all my heroes ♪
♪ In the methadone clinic ♪
♪ All you bastardsat the IRS... ♪
( cell phone rings )
I can't hear you; wait.
♪ For the shots of Jackand the caps of... ♪
♪ The half pints of loveand the fifths of stress ♪
♪ It's for my hookersall tricking ♪
♪ Out in Hollywood ♪
♪ My hoods of the worldmisunderstood... ♪
Back off, you jerk!
♪ I said it's all goodand it's all in fun ♪
CROWD:♪ Now get in the pitand try to love someone ♪
♪ Bawitdaba da bang a dang... ♪
Go around to the stage doorand I'll let you in.
♪ Bawitdaba da bang a dang ♪
♪ Diggy diggy diggy said the ♪ Kill someone ♪
♪ Bawitdaba da bang a dang diggy diggy ♪
♪ Diggy said the boogy said .up ♪ Love someone ♪♪
♪ Bawitdaba da bang a dang diggy diggy diggy said the boogy ♪
♪ Said up jump the boogy ♪
♪ For the time bombs tickingand the heads... ♪
( muffled music continues )
♪ ...the grits when there ain'tenough eggs to cook ♪
♪ And the money he took ♪
♪ You can look for answers... ♪
( muffled music continues )
( door clanging )
Molly?
Molly...
Molly?
♪ We just came to get on down ♪
♪( screaming )♪
♪ Out here in the fields ♪
♪ I fought for my meals ♪
♪ I get my back into my living ♪
♪ I don't need to fight ♪
♪ To prove I'm right ♪
♪ I don't need to be forgiven,yeah, yeah, yeah, yeah♪
♪ Yeah. ♪
Captioning sponsored by CBS and CSI PRODUCTIONS
Nick Russo from Staten Island.
Must be 200, 300 bucks here.
Robbery's out.
MONROE:Then let's find out what it was.
Minimal blood spatter.
Maybe he was shotoutside the limo?
Body doesn't look likeit was moved here.
Wait.
He must've fallenon the buttonwhen he was shot.
Lowered the divider.
This much spatter...
could be some on the shooter.
Somebody doesn't likeHarry Belafonte.
MAN: No passes, no access.
Will this do?
( hard rock playing )
WOMAN:Because I'm the manager,that's why.
Just do it.
Look, I already toldthe officer
everything I know,which is nothing.
Ma'am, we need someinformation on your driver.
Not my driver.
He workedfor another company.
Top Fleet Limousines, I think.
Was he your regular driver?
No, none of us had everseen him before.
How long a break betweenthe main set and the encore?
All told, eight,
( clamoring voices )
Hey, Kid, canyou sign these?
Look, I'm sorry,but I have to...
Hey, hey, hey...
No, no, no, it'sokay, he knows me.
It's okay, don'ttouch me, man.
All right? it's okay!
I'm okay; Hey, Kid,can I talk to you?
Not now, man, I'm busy.
No, no, no, I've got to tell yousomething in private.
Dude, chill out; I saidI'm busy right now.
All right, man,let's go, come on.
They copied your song, man.
GUARD:Get outta here.
Is y'all the cops?
Crime scene.
Yeah, someone did shootour limo driver.
Sucks to be him.
I gotta wait for another rideback to my hotel.
How long's that gonna take?
Just another couple minutes,Kid, I swear.
Hey, can you sign this?
Hey, hey.
Yes, I can.
Check out this CD.
It's gonna be huge.
Is thatMm-hmm.
You can find methrough my website.
You won't be sorry.
No, I guess I won't.
WOMAN:Hey, Kid, there you are.
You gonna be in townfor a few days?
Three more shows,you should come check one out.
DISPATCH:One seven-seven George,
we have a report of a 1032 autolarceny in front of...
DISPATCH #2:All units, 10-10.
Shots fired,2344 Lexington Avenue.
Possible officer involved,apartment 12 Charlie.
Repeat:Possible officer involved.
NYPD!
TAYLOR:Stella.
Stella.
Stella!
Stella's boyfriend,Frankie.
He's dead.
I got a pulse.
Call EMS.
Stella. Stella!
Stella.
Where's Frankie?
TAYLOR:Stella.
What happened?
It was awful.( sniffles )
I remember some things,and there's other things
I just can't...I can't remember.
It's okay,whatever you can't remember,
the evidence willfill in the gaps.
Look, we're gonna have to doan entire work-up on you.
Rape kit...we found you unconscious.
Need to knowexactly what happened.
You're not a CSI on this one,Stella, you're a victim.
So a forensic nurseis going to process you,
then Flack will talk to youa bit.
I'm gonna go backto your apartment, do you have
any objectionto me looking around?
No, no.
Mac's with Stellaright now.
( sighs ):I just... I can't believe it.
How does somethinglike that happen?
I mean, I know howit happens, but...
Should we go visit her?
No, Mac said he'd let us know.
Wants us to stick tothe limo case right now.
Business as usual.
You all right?
Yeah.
I'll be fine.
So where are we so far?
I'm thinking robbery'snot a motive.
Money was intact,
no signs of struggle.
And the Beretta'sregistered.
And to who? Nick Russo.
The limo driver.
Killed by his own gun.Prints?
Negative.
Did we match the bullet?
Waiting for ballistics,
but dollars to donutsit's a match.
Okay,
the angle of the shot...
the blood spatter put the killer in the front seat.
And the phone number that was trapped
in the door was our vic's.
There was also evidence
of sexual activityoccurring shortly antemortem.
Now, we got a guy that waskilled with his own gun
soon after having sex.
MONROE:Right after giving his phonenumber to somebody.
The manager saidhe was a player.
Female killer?
That's Sid's thought also.
Let's do a timeline.
Okay, we havea 15-minute window.
Russo was inside the buildingfive minutes before the break,
which was five minutes long.
A crew member saw him,nobody else did.
Then he goes back to his car,
discovered a few minutesinto the encore.
So, our window is10:30 to 10:45.
Plenty of time to die.
Let's seeif our mystery woman
left more with our victhan a happy memory.
Two aspirin, extra strength.
Stella, this isNurse Linda McCovey.
She's here to process you.
Hi.
I'll be gentle.
Just be thorough.
Okay.
♪ ♪
From the looks of it,
our vic's suit hasn't seenthe cleaners in a while.
Now, what's up with that?
Our limo driver,
Nicky Russo, is a cat person?
He couldn't be.
MONROE:But maybe our killer is.
MESSER:Well, it's not domestic.
Let's run itagainst foreign animals.
( typing )
It's a kinkajou.
Who owns thiskind of animal?
It's a celebrity thing.
You get a cutelittle pet,
you drag it aroundtown with you.
It's like a playmate.
Not the kind of playmateI could see Kid Rock being into
or anyone in his band.
I'm just saying.
HAMMERBACK:Stella's boyfriend, huh?
HAWKES:Yeah.
How is she doing?
Well, Mac saysshe's shaken up.
We still don't know
what happened over there.
Well, I can tell youwhat happened over here.
Okay.
The first two shotswere nonlethal--
here and here.
I suspectthis was the third shot.
Kill shot, right in the heart.
I'm going to needthese slugs, Sid.
I have to compare them
against the weapon Mac found at the scene.
Hawkes, I got the results backon Stella's work-up.
Negativeon the sex assault kit.
Thank God for that.
GSR results:Stella's right hand
tested positivefor gunshot residue.
Well, I've justcompared the slugs
from Frankieto the weapon you found
at the scene.
They match, Mac.
It's confirmed Stellais the shooter.
Now we have to find outeverything that happened
before she pulled the trigger.
FLACK:Mac wanted me to get
some info from you,off the cuff,
just so that we can make senseof what happened.
Do you feel like chatting?
Sure.
Well, let me tell youwhat I know.
C.O.D. on Frankie wasa fatal gunshot to the heart.
God... like I said,I only remember bits and pieces.
All right, well, we'll juststart with what you remember.
Bad day, huh?
Frankie was following me.
( gasps )
Stella...
Why haven't you
returned my calls?
I saw your sicklittle website, Frankie.
What?You think that was funny?
You think it would turn me on?
Oh, my God.
So I broke up with Frankieright then and there,
told him I never wantedto see him again.
FLACK: And where did you go after that?
BONASERA: I finished some errands, and then I went home.
( clattering )
Hello?
Somebody there?
( gasps )
Frankie...
Get the hellout of my apartment.
Did you hear me,Frankie?
Get the hell out
of my apartment.
What are you doing?
I'm setting the table.
You weren't armed?
I...
I had my piece in my handbag.
I didn't think Frankiewas a threat, you know?
I thought he broke into get back together.
Did Frankie have a keyto your apartment?
No. No, he had never even beento my place.
It's one of my rules:no men in my place.
Just in case things go bad,
I always have a safe place
to go home to.
So you have no ideahow he got in, huh?
Maybe-maybe he kicked inthe door.
When you got backto your apartment,
you used your house keyto get in, right?
Yeah.
Then the doorwasn't kicked down.
Frankie didn't kick inyour door, Stella.
I did.
NYPD!
But Frankie got inyour apartment somehow.
I'll have Mac checkthe door area.
Will you get me the keysof Stella and Frankie Mala
and run this, please?
Thanks.
You heard me--kinkajou.
We found one of those hairson the dead driver's coat.
Any one of your clients happento own one of those things?
Yes, Nancy Sheraton.
( clamoring voices )
( kinkajou shrieking )
Aw, g-get it off me, get off me!
She was taken to the airport yesterday afternoon.
Nick Russo was her driver?
No, she was driven by anotherone of our chauffeurs.
In that car?
No, each driver is assigned
to his own vehicle.
Secondary transfer?
Got on the first driver,
and then passed itto Russo.
Was Russo
a new dThat's right. band?
What happenedto the band's previous driver?
I had to let him go,last night, as a matter of fact.
Unsuitable for the work.
He was picking up groupiesin the car.
He was very unhappy about it.
Oh, yeah.
And whatBlake Mathers.
10:00 to 11:00 last night--your whereabouts.
Those two conceptsin one answer,
please, Mr. Mathers.
Like I said, I was at the show.
♪ Kid Rock ♪
♪ Bawitdaba ba dang da dang ♪
♪ Diggy diggy diggy said the boogie ♪
♪ Said ♪ Kid... ♪e ... ♪
No one saw you, though.
We checked your story.
You didn't have a pass.
Yet you ended up backstageafter the show.
Which is when we saw youtalking to Kid Rock.
He didn't look too happyto see you.
I got to tell you something,in private.
Dude, chill out; I saidI'm busy right now.
Let's go, come on.
He's got a lot on his mindafter a show, okay?
Me and Kid, we're friends, man.
We're all aboutthe music.
And his music, special.
You were fired, Blake,for taking people in the limo
back to the hotel,
trading onyour relationship.
That piss you off, no?
Course. I didn't doanything wrong,
and they fired me.
So what were you doingat the show, Blake?
Wanted my job back.
I was going to talk to Kid.
MESSER:Yeah, but then you ended up
in the back alley, right,talking to Russo?
What, you think it was his faultthat you got fired?
Hair...ever in that alley.
from the kinka-poodle,or what is it?
Got on you,
and it transferredto Russo, right?
You knowwhat "transferred" means, Blake?
He was nowhere near the animal--it was in another car.
The one that youdrove, it transferredfrom you to him.
Come on! Enough of thedumb-ass, I didokay, Blake?ing...
The clothes you were wearinglast night are being tested
for gunshot residue!You were at the scene!
We're wasting our time.
Blake... sit tightfor a while, all right?
Reconsider your answer.
Montana, hey, what's up?
Hey! We got this guy!
He's about to fold.
Hey, hey, easeup, ease up.
You know what, Danny--maybe you should
just handle this caseby yourself, okay?
Mac's handling Stella'ssituation, all right?
If he needs us,he'll let us know,but until then...
I just wish there was somethingwe could do to help.
You know whatStella would say?
What we could doto help the most
is close this Russocase, all right?
All right, thanks.
Frankie was an artist, right?
Sculptor.
Traces of polymer claywere found in the keyhole.
He made a mold of your key.
Lab also foundmicroscopic particles of metal
inside the guts of the doorknob.
He used liquid metal to make a cast.
That's howhe got in.
Son of a bitchprobably took the key
right off of my key ring.
Let's go back to Frankie beingin your apartment
for a sec.
How come you didn't call us?
All right,that's it.
I'm making aphone call.
God!
Frankie!
( phone shattering )
You're not goinganywhere!
Don't you getviolent with me!
BONASERA:Do not tell me what to do!
FRANKIE:You're not going anywhere...until we talk.
( both grunt )
Stop it!
( panting )
Ow!
I found the statuethat I made for you...
out by the trash chute.
( Bonasera grunting )
I put it backwhere it belongs.
MONROE:The fatal bullet camefrom that Beretta.
There are no printson the gun,
so it's not a big help.
What's with the CD?
I thought we wereliking Mathers.
The hair puts him with Russo,
and he was aroundduring the timeline.
I know, but I'm thinking,why would he shoot this guy?
Doesn't get himhis job back.
So I figured I'd move onto the next piece of evidence.
Which is the CD.
Which is where I amright now.
All right, let's see.
Clean this up.
( machine whirring )
( bell dings )
( hard rock playing )
I thought the labelsaid Harry Belafonte.
Guess they disguisewhat's on the disk
to prevent piracy.
This is a master recordingfrom the record label.
Encoded with serial numbers
so if it's copied,the copies can be traced.
Copied?
Who has access to this CD?
Kid Rock. Or the management.
Maybe Blake Mathers--he said he was close with Kid.
But why would he break the CD?
Maybe Mathers discoveredthat Russo had the CD
to prerelease it,
and he broke it to geton the Kid's good side.
What, are you nuts?Do you have any idea
what copying that doesto the band's sales?
Give me that!
Come on, man,give it to me!
Huh? See?
( both grunting )
( shot fires )
Well, if that's whathe was trying to do,
he missed the boat.
It's already online.
I think I can figureout who uploaded it.
( typing )
MONROE:Nick Russo.
Our victim.
GSR come back on Mathers?
Nothing on hisclothes last night.
So you said that the bandor the management
would've had accessto that CD.
Mm-hmm.
There was fresh cigar smokein that limo.
Kid Rock smokes cigars.
You think he's involved in this?
They found the bodyright after the encore began.
Kid Rock stoodto lose millions.
There's five minutesin that break.
Enough time to getout to the alley.
I'll call Mac.
He wanted to knowif this came back to the band.
( hard rock playing )
♪ She's super-fine nasty ♪
♪ She needs to pullthe trigger ♪
TAYLOR:Excuse me.
How old are you?
I'm 19.
I'm 16.
You can go.
Whoa. I swear to God,I didn't...
MONROE:Yeah, heard it all before.
You know nothing aboutNick Russo's death?
Not a thing.
But you were in the limojust before the encore.
Maybe.
Doesn't mean I shot him.
Why would I do that?
Nick Russo released a song
from your new CDonto the Internet.
I know that.I told him to do that.
I gave him the CD last night.
You get that done?
It's on the Internet?
Yeah.
Nice work.
It's like a sales tool.
Give them a little preview,
they'll eat the restof that record up, you watch.
Why didn't you say anythingbefore?
In front of my management?
You ever hear of somethingcalled breach of contract?
Is that the jacket you werewearing in the show last night?
That's it.
Mind if I take a look at it?
Maybe you didn't wantthat song released.
Realized it could track backto the coded serial numbers.
You found out, it was too late.
Well, at least Igot it done, huh?
Yeah, well I did do it.
Yeah? Idiot? Huh?
Who'sAre you crazy?, huh?
( both grunting )
( gun fires )
You want to tell mewhat that is?
Some kid got excited,jumped up on stage.
Must've got banged upin the crowd.
♪ The midnight glancersand the topless dancers ♪
♪ The candid freaksand cars packed with speakers ♪
♪ The G's with the 40sand the chicks with beepers ♪
You think that's from meshooting the driver?
Like, if I did,I wouldn't get rid of that?
Just how stupiddo you think I am?
You mind if I take this?
Go ahead.
Look, are we square businesshere, Detective?
You can take that jacket,you can listen to that CD,
whatever floats your boat.
But I didn't shootthat driver,
and I don't knowwho did.
You know how many guilty peoplesing that same song?
MONROE:Felicia Badman?
Yeah, that's me.
Check out this CD.
It's gonna be huge.
You can find methrough my website.
You won't be sorry.
We're not here about the CDs,Felicia, okay?
We found a pieceof your cover art
in the limousineat the Kid Rock concert.
A lot of people buy my CDs.
We're goingto need your prints.
Because there weresome prints
in the limo wecan't identify,
including some onthe victim's belt.
If you weren't there,we can eliminate you
as a possible suspect.
Look, okay, I was there.
I talked tothe driver.
I wanted a pass.
And what aboutthe phone number?
I was working him a bit.
So, uh, this isa 212 area code.
Then I'll definitely call you.
How about that pass?
Did you get the pass?
Yeah, I did.
Still have it?
Thank you.
I'm gonna get that back, right?
( phone rings )'t it?
Yeah, so why don't we allgo downtown?
Monroe.e? Come on.
Yeah. Thanks.
Danny, Kid Rock's jacket testednegative for Nick Russo's blood.
The prints on the pass come backto Felicia and the driver.
There's nothing to saythat her story isn't true.
So we're backto square one.
You could say that.
Danny, everybody backstageat the concert
was wearing one of these passesaround their neck
from one of thosebeaded chains.
Felicia's pass doesn'thave a chain.
MESSER:And the marks could've been made
by yanking the passoff the victim's neck.
He didn't give her the pass,she tore it off his neck.
Yeah, but was healive or dead?
MESSER:See some kind of bubbles.
Under the autograph.
MONROE: Under the autograph.
That could be blood.
Whatever it is,
it was there beforeKid Rock signed the pass.
Let's get a sample,
see if we can't tellwhere this is from.
Mm-hmm.
You want to start?
I already told you everything.
I was at the showthe whole time.
I didn't even go outside.
The pass that Kid Rocksigned for you,
it has Nick Russo's blood on it.
I got that from a roadie.
MESSER:And...
this pass has nochain on it, huh?
It's pretty hard to break
one of those things off.
Mind if we take a lookin your bag?
Thank you.
Would you like to tellthe story, Felicia?
Or should we?
That jerk.
He said he would give me a pass.
If Yeah...
...if I.
And... I did.
( hard rock playing in distance )
FELICIA: And then he says,
"You're not getting anything."
So I looked in the glove compartment to get a pass,
but I found this gun.
Give me the pass.
Give it to me!
( shot fires )
I just wanted to get backstageso I could give Kid Rock my CD.
That's it.
The gun just went offin my hands.
Well, it's not like I went there
with the intentionof killing someone.
Did you struggle with Frankieover the statue?
No. Not at this point.
All I remember is that...
I was ina no-win situation.
I couldn't get to my Glock,and he had a knife.
May I see your hands?
You're shaking.You want to take a break?
No, no, no.
I want to get through this.
What are these cutson your fingertips?
I don't know, Don.
You've been through a hellof an event, Stella.
We found you passed out.
Remember?
I remember him tying my wriststogether, but...
I have no idea why I havethese cuts on my fingers.
FRANKIE:This is all your fault.
l stayed up two nights,
poured my heart and soulinto that statue,
and you break us upbecause of a website?
( pained cry )
( grunts )
That website...
was a celebration of our love.
And you treat me like...
like one of those whack jobs
you meet on the street.
I love you.
I love you, too, Frankie.
You caught me off guard.
Can you blame me?
You're right--we should talk. Okay?
I loved your statue.
It's so beautiful.
And I loved all the"I love you" messages.
And I really meantto call you.
I did.
Yeah, but you didn't.
Did you?
You ignored my calls.
You ignored me.
You don't love me.
( strained grunt )
Now I'm goingto teach you a thing or two
about crime scenes.
( pained groaning )
( grunting )
♪ ♪
Okay, thanks.
The lab found
your bloodyfingerprintson the shaver
that Mac foundin your bathtub.
Now, somewhere betweenyou being in that tub
and Mac and I findingyou, you shot Frankie.
I remember a...
I rememberthe doorbell ringing,
but I-I don't know why.
( doorbell ringing )
Don't make a sound.
( ringing continues )
( knocking on door )
Not a sound.
( door opens )
FRANKIE:How much?
( door closing )
( panting )
( sighs )
( groans )
Damn it.
Come on.
Oh!
( pained groan )
( groans )
Now, Frankie called Ying Yang'sat 9:37 p.m.
The receipt was printed up at 10:04 p.m.
They're, what, five blocks from your apartment?
Doorbell's ringingat 10:30, tops.
Neighbor calls 911 at 10:57.
What happenedin those last 30 minutes?
( Bonasera shouts, Frankie grunts )
( frantic panting )
( Frankie grunting, Bonasera crying out )
( grunting )
( panting )
( Bonasera screams )
( barrel clicks empty )
( screams )
( gunshots, groaning )
( sobbing )
IAB handed your case overto the Detective Bureau.
They're goingto deem it a good shoot.
Thank you.
Thanks for No sweat.th me, Don.
It's my job.
( laughs )
Not to mention, you're a friend.
Well, you're a very good friend.
Come here.
Thanks.
You got it.
I heard somewhere you weregetting out of here.
I can't just sitin my apartmenton sick leave.
Pour my heart outto some department counselor.
Look, I want to respectyour wishes on this, but
I'm tellingyou no.
You takesome time.
You don't want to go home?
I certainly understand that.
Your place is still a mess.
I'll check you into a hotel,long as you like.
Park view. Done.
You needto take the proper steps.
When the time is right,
want to come back and do tours,
two shifts at a time,if you want.
You know I will.
When you're ready, not before.
Crime scene cleanuphasn't gone
through your place yet.
I'll take you to a hotel.
I'm a big girl.
If it's all right with you,I'd-I'd prefer to go home.
( slow piano melody plays )
Thanks.
♪ You are my sweetest downfall ♪
♪ I loved you first ♪
♪ Beneath the starscame falling on our heads ♪
♪ But they're just old light ♪
♪ They're just old light ♪
♪ Your hair was longwhen we first met ♪
♪ Samson came to my bed,told me that my hair was red ♪
♪ Told me I was beautiful,came into my bed ♪
♪ Oh, I cut his hairmyself one night ♪
♪ I buried those scissorsin the yellow light ♪
♪ And he told methat I'd done all right ♪
♪ And kissed me till the morninglight, the morning light♪
♪ And kissed metill the morning light... ♪
♪ Samson went back to bed ♪
♪ Not much hairleft on his head ♪
♪ He ate a sliceof Wonder Bread ♪
♪ And went right back to bed ♪
♪ Oh, we couldn't bringthe columns down ♪
♪ Yeah, we couldn't destroya single one ♪
♪ And history booksforgot about us ♪
♪ And the Bibledidn't mention us ♪
♪ Not even once ♪
♪ You are my sweetest downfall ♪
♪ I loved you first. ♪
Captioning sponsored by CBS and CSI PRODUCTIONS
Captioned by Media Access Group at WGBH access.wgbh.org